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dc.contributor.authorSánchez Canales, Gustavo Adolfo es_ES
dc.contributor.otherUAM. Departamento de Filologías y su Didácticaes_ES
dc.date.accessioned2015-05-07T11:39:07Z
dc.date.available2015-05-07T11:39:07Z
dc.date.issued2014-06
dc.identifier.citationCLCWeb: Comparative Literature and Culture 16.2 (2014): 8en_US
dc.identifier.issn1481-4374 (online)en_US
dc.identifier.urihttp://hdl.handle.net/10486/666042
dc.descriptionThe texts of articles should be downloaded from the journal itself.en_US
dc.description.abstractIn his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez- Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.en_US
dc.format.extent9 pag.es_ES
dc.format.mimetypeapplication/pdfen_US
dc.language.isoengen_US
dc.publisherPurdue University Pressen_US
dc.relation.ispartofCLCWeb: Comparative Literature and Cultureen_US
dc.rights© Purdue Universityen_US
dc.subject.otherNovelas de Philip Rothes_ES
dc.subject.otherLiteratura europeaes_ES
dc.titleEuropean Literary Tradition in Roth's Kepesh Trilogyen_US
dc.typearticleen_US
dc.subject.ecienciaLiteraturaes_ES
dc.identifier.doi10.7771/1481-4374.2404es_ES
dc.identifier.publicationfirstpage8es_ES
dc.identifier.publicationissue2es_ES
dc.identifier.publicationlastpage8es_ES
dc.identifier.publicationvolume16es_ES
dc.type.versioninfo:eu-repo/semantics/publishedVersionen_US
dc.rights.accessRightsopenAccessen_US
dc.authorUAMSánchez Canales, Gustavo Adolfo (261031)
dc.facultadUAMFacultad de Formación de Profesorado y Educación


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