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Participatory Culture in Chinese Transmedia Fictions

Author
Xu, Han; González Patiño, Javieruntranslated; Linaza Iglesias, José Luisuntranslated
Entity
UAM. Departamento de Psicología Evolutiva y de la Educación
Publisher
July Press
Date
2022-06-30
Citation
10.20849/ajsss.v7i6.1208
Asian Journal of Social Science Studies 7. 6 (2022): 53-60
 
 
 
ISSN
2424-8517 (print); 2424-9041 (online)
DOI
10.20849/ajsss.v7i6.1208
Editor's Version
https://doi.org/10.20849/ajsss.v7i6.1208
Subjects
transmedia fictions; participation culture; communication mode; creation mode; Educación; Psicología
URI
http://hdl.handle.net/10486/707421
Rights
Copyright for this article is retained by the author(s), with first publication rights granted to the journal

Licencia Creative Commons
Esta obra está bajo una Licencia Creative Commons Atribución 4.0 Internacional.

Abstract

As a new literary form in China, Transmedia fictions are constantly impacting the status of traditional paper novels. Participation culture is an important feature of Transmedia fictions, and it plays an important role in transmedia creation and communication modes. As a representative of mass culture and grassroots culture, Transmedia fictions continuously increase their influence in people's spiritual and cultural life and impact the status of traditional elite culture through a very participatory creative process and communication process. Through the study of the participating culture in Chinese Transmedia fictions, we can have a deeper understanding of the characteristics of this literary form, which will promote the future development of world literature
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  • Producción científica en acceso abierto de la UAM [17775]

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All the documents from Biblos-e Archivo are protected by copyrights. Some rights reserved.
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